numero teatrale - significado y definición. Qué es numero teatrale
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Qué (quién) es numero teatrale - definición

OPERA BY WOLFGANG AMADEUS MOZART
The Impresario; KV. 486; KV 486; K 486; K. 486; L'Impresario Teatrale; L'impresario teatrale; The Impressario
  • [[Henry Edward Krehbiel]]'s translation of ''The Impresario'' toured the United States in 1921.

Numéro Cinq         
FORMER ONLINE ART JOURNAL
User:LynneQuarmby/Numéro Cinq; Numero Cinq
Numéro Cinq was an online international journal of arts and letters"Literature" Fiction Daily Retrieved Oct 3, 2011.
No.         
  • Bulgarian]] keyboard layout (BDS 5237:1978)
TYPOGRAPHIC ABBREVIATION OF THE WORD "NUMBER(S)"
No.; Numero symbol; №; Numero (symbol); Número sign; Nº; N°; N.º; Numero character; Numero signs; No (numero sign)
No. is a written abbreviation for number
.
That year he was named the nation's No. 1 college football star...
Columbia Law Review, vol. no. 698 p1317.
No.         
  • Bulgarian]] keyboard layout (BDS 5237:1978)
TYPOGRAPHIC ABBREVIATION OF THE WORD "NUMBER(S)"
No.; Numero symbol; №; Numero (symbol); Número sign; Nº; N°; N.º; Numero character; Numero signs; No (numero sign)
¦ abbreviation
1. US North.
2. (also no.) number. [from L. numero, ablative of numerus.]

Wikipedia

Der Schauspieldirektor

Der Schauspieldirektor (The Impresario), K. 486, is a comic singspiel by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian Schauspieldirektor. Originally, it was written because of "the imperial command" of the Holy Roman Emperor Joseph II who had invited 80 guests to a private luncheon. It is regarded as "a parody on the vanity of singers", who argue over status and pay.

Mozart, who describes it as "comedy with music" wrote it as his entry in a musical competition which was given a private performance hosted on 7 February 1786 by Joseph II at the Schönbrunn Palace in Vienna. This competition pitted a German singspiel, presented at one end of the room, against a competing Italian opera, the Italian entry being Antonio Salieri's opera buffa, Prima la musica e poi le parole (First the Music, then the Words), which was then given at the other end of the room. The premiere was followed by the first of three public performances given four days later at the Kärntnertor Theater, Vienna, on 11 February.